Review: Divinity: Original Sin II > 자유게시판

Things are a little bit different this time around. For starters, the Divinity: Original Sin **** II takes place over 1,000 years after the events of the original. The Divine is no more, and the Void is ever expanding and will consume the world if allowed to grow unchallenged. In addition to the great time gap between the two games, the role of the player in relation to the magical force known as Source has been completely flipped. No more are we engaged in a witch hunt but instead we step into the shoes of a Sourcerer and get to experience what being on the receiving end of said witch hunt feels like.

Most crafted items will sell for more Gold than their ingredients will individually. The player should take that into account as they might be able to make easy money by selling items they don't need if the sale value is high enough, one of the ingredients is not consumed in the process, and the other is easy enough to get a hold

Next, go with a Ranger. Put a point into Warfare. Then, select First Aid, Ricochet, and Pin Down as Skills. Finally, the player might want to go with a Shadowblade with points in Polymorph and Scoundrel, with Chameleon Cloak, Backlash, and another Skill of the player's choice selected. Some players enjoy using Chicken Claw while others swear against

Original Sin II is an isometric PC RPG that plays beautifully with mouse and keyboard but also offers full controller support. Perhaps this was a result of how well the controller worked for Divinity: Original Sin Enhanced Edition on console or maybe just a preemptive move with plans for this to go to console, but either choice for control input works well. The music is beautifully composed and accompanies this fantasy setting splendidly, along with the impressive voice acting, and having this title be fully voiced was no small feat. The graphics will not push higher end graphics cards to the limit, but the design of characters, environments and monsters look great as do the cutscenes that possess a painting-like quality. The overall tone of Divinity: Original Sin II is dark and serious, but somehow manages to maintain an element of lighthearted fun and levity. There are a few humorous, sarcastic quip dialog options that pop up quite a bit and the Pet Pal talent can lead to a lot of interesting side quests and humorous dialog. The greatest moment of silliness is when the player enters stealth mode and assumes the form of a shrubbery walking around. While one probably wouldn't file this title under the humor section, it's clear the development team had a sense of humor while creating this.

**Divinity Original Sin 2 ** has an in-depth crafting system with the ability to create hundreds of potential crafted items. Players can spend hours upon hours combining items to try and make new ones through trial and error, or they can cut to the chase. Here are the top crafting recipes players need to k

Players are given points at the beginning of building their custom characters. They are automatically assigned to specific Attributes or Skills depending on what Preset was selected, but the player may reassign them. There are three points available for Attributes, and two for the Combat Abilities section, which also includes Weapon and Defense Abilities. There is one point open to assignment for Civil Abilities. Based on points assigned to the player's Combat Abilities, the player will have different Skills available to them. They may choose three of those available Skills to st

There are four difficulty modes to choose from, which are Explorer, Classic, Tactician, and Honour. Explorer is designed for players who lack experience with RPGs or simply just want to enjoy the story. Taking advantage of the strategic skills that are offered helps, but being a brilliant military strategist is not required as this mode is pretty forgiving overall. Classic is geared towards RPG veterans or people who enjoy challenging combat. Your abilities will be tested but if you take the time to learn how the combat system works you should prevail, this mode is challenging but doesn't feel unfair. Tactician is the mode where the enemies have essentially harvested the source of George Patton, Zhuge Liang, Julius Caesar and Alexander the Great. This is where being a brilliant military strategist is almost essential to be victorious, as the enemies show no mercy at all and will throw every dirty trick they have at you. Playing this mode might also not be a bad way to learn some useful combat tactics. Honour mode is for forum.Sangham.net the truly confident and cocky or those who just enjoy suffering, as this brings the grueling challenge of Tactician but adds a hardcore mode, meaning if you fall in battle say bye bye to the save file. This way could be potentially fatal to one's PC, but many bragging rights will come from completing the campaign on this setting.

The tag system is a new feature introduced in this sequel, which allows specific dialog options to become available based on gender, race, profession, and origin story. New tags may be gained and current tags may be lost based on character decisions and achievements. Should the player choose to design a character without an origin story, they will have the choice to add extra tags during the creation process to help personalize the experience by giving the character a unique personality and dialog options. There are presets that allow a character to begin the game better suited for a play style fitting a traditional RPG class such as warrior or rogue but there are no character classes, allowing the character to be customized and built as they progress through the game however the player sees fit. The multiplayer limit has been raised from two player to four player, and players may be in direct conflict with each other during certain quest goals based on origin story, making it a spur of the moment decision to play cooperatively or competitively. There is also the new dynamic music system where the player selects a character's chosen instrument, allowing this instrument to take lead in the soundtrack during crucial moments of combat or story development.